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The Knockout pop-up menu is another of the blending options new to Photoshop 6. It turns the contents of the active layer into a floating hole that can bore through one or more layers. You specify how deep the hole goes using the Knockout option; use Opacity and blend mode options to define the translucency of the hole. Select a Knockout option depending on what layers you want to blend together: None blends normally. The layer is treated as a standard layer, not a hole. Shallow cuts a hole through a layer set to expose the layer immediately below the layer set. In a clipping group, Shallow burrows down to the base layer of the group. Deep cuts all the way down to the Background layer. An exception arises when you re working with a layer in a clipping group. In that case, Deep blends the layer with the base of the clipping group, just like Shallow. Figure 13-18 shows examples of each of these options. In all the examples, the top layer contains black text, to which I applied the Outer Glow and Bevel and Emboss layer effects. The next layer down holds an umbrella and a few associated layer effects. I grouped these two layers into a layer set, as shown in the Layers palette in the figure. The clouds occupy the layer immediately below the layer set. The background layer contains a gradient created with the new noise-gradient feature (see 6). In the upper-left example, I set the Knockout option to None for all layers. I used the Normal blend mode and set the Opacity value and Fill Opacity value to 100 percent throughout. With this setup, each layer blends normally with the one below.

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21

Figure 4.12 Radio frame timing and access slot timing of downlink physical channels [25].

where C pu = USL 3 and C pl = LSL 3 (23)

Sedimentation velocity experiments were performed with self-associating tubulin in the presence of vincristine, vinblastine and a synthetic analogue, vinorelbine. The effects of adding either GDP or GTP was assessed for these three Vinca alkaloids at a range of temperatures (5, 25 and 30 C) and at either 30 000 or 40 000 RPM. Protein was quanti ed in the boundaries by measuring A280 . Fitting of sedimentation data allowed estimation of S20 , w and equilibrium binding constants. Sedimentation data for tubulin in the presence of GTP for A) vincristine, B) vinblastine and C) vinorelbine are shown below. These data were obtained at 5 C (solid line), 25 C (dashed line) and 35 C (dotted line). The increase in S20, w with temperature suggests a largely entropically driven process.

If you use the Export command to prepare your site for the Web, you can use the FTP Browser window to upload the site. You can do this whether you used it on your initial upload or not. The bottom line with Export is that if you re using it to generate your site, you should do a full new export each time you change the site and want to send the changes to the server. Trying to export sections of the site can lead to complications. It s best to be certain that all pages in the site are the newest versions. Do a new Export the same way you did the first, and then upload the new export in its entirety.

If you own a color printer, I encourage you to take an hour out of your day and conduct a few tests with the other Print Space options. For example, if you select Apple RGB, your printed image will darken several shades. This might throw you. Because the Apple RGB profile features the lightest of the monitor gammas 1.8 you might expect the image to print lighter. But what Photoshop is really doing is converting the colors as if the printer were as naturally light as an Apple RGB monitor. In order to maintain consistent color, the conversion therefore darkens the image to account for this unusually light device. Select the Wide Gamut setting and the colors appears lighter and washed out, again accounting for this hyper-saturated Space setting. So think opposite. Yet another alternative is to convert an RGB image to the grayscale color space during printing. But it s generally a bad alternative. Asking Photoshop to convert colors on the fly dramatically increases the output time, as well as the likelihood of printing errors. It s better and much faster to simply convert the image to the grayscale mode (Image Mode Grayscale) and then print it. Again, if you re unfamiliar with any of these terms or just don t know which options are best for your printing situation, review 16, where I discuss color management in detail.

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Users who download your distribution archive use a command similar to the following to install it:

AutoCAD doesn t save your changes until you commit them. To save your changes, right-click the grid header the cell at the top-left corner of the Data Table window and choose Commit. To discard your changes, choose Restore, which restores the original values of the database when you opened the Data Table window.

for Entry in dir(MainApp): if hasattr(Entry, cleanup ): getattr(Entry, cleanup )()